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To tell this larger than life story, we rented a professional set from New York that featured a completely automated castle that we unloaded, assembled, and programmed as a crew. 

BEAUTY AND THE BEAST

Production Stage Manager

This production tested my capabilities as a Stage Manager in a new way. Inside the automated castle, our Castle Board Op ran the cues and had to stay inside during the entire run of show. Unfortunately, he could not hear anything from his spot inside the castle and had no insight as to when it was time for the castle's next move. The two of us figured out how it would be best for me to call his cues with enough notice so that he could switch to the different operating programs for each cue. Working in both offstage and onstage capacities, I found ways in which I could cue the castle operator from inside the castle and still perform throughout the show. For every show, I would come offstage, get on headset, and call the castle specific cues before re-entering. Although the automated castle presented challenges we hadn't expected, we problem solved as a team until our operations ran like clockwork, and the castle moves had no issues throughout the run of show. Below are pictures of my calling script.

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Rental Set and Electrical Operations

For Beauty and the Beast, our entire technical team's communication and collaboration abilities were tested and developed like never before. Our company worked together to assemble this rented set, especially the automated castle, with the help of the original set designer. When it came to routing all of the electrical equipment and getting signals to our castle, I took the lead on delegating jobs to the technical team as we all worked to get this massive castle up and running. Once the castle had been reviewed for all safety measures and electrical operations, the technical team learned how to program it and designed its path for each scene with our directors. 

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The rest of the rental set was no easy accomplishment either. From programming Maurice's invention to fastening roofs on the ten-foot-tall village units, the entire company was needed to create this storybook world. 

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Show Gallery

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